DARTMOOR
ROUNDHOUSE
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Nigel
Shaw and Carolyn Hillyer have been living and working
in the middle of Dartmoor's wild and bleak lands for
over ten years.
As prolific artists and musicians they have concentrated
their work on representing many aspects of the Dartmoor
landscape, including the hidden heritage of our very
ancient indigenous ancestors, drawing strongly on
the intense spirit and ancient beauty of this place.
It was a natural extension of this creative journey
to decide to build a traditional Neolithic/Bronze-Age
ceremonial roundhouse on their farm, modelled on those
whose remains are still found in great numbers all
across the moors.
Work on the project was completed in May of the year
2002. |
The farmstead on which we live dates from
before the twelfth century. The darkened beams and deep
stone walls have witnessed the passage of many lifetimes
and every room is steeped with the richness of a history
that has slowly unfolded since rural mediaeval times. There
is, however, a more ancient presence on this land: from
the end of the Neolithic Stone Age and throughout the Bronze
Age (5000-3000 years ago) the wide hills of Dartmoor were
settled by clans of people who constructed the many hut
communities, stone circles and stone rows that are still
visible across the moors today.
Most of the hut circles are gathered in
upland settlements, varying in size from a few buildings
to large groups of a hundred or more. The huts vary from
dwellings of 6-12 feet in diameter to a small number of
structures spanning up to 30 feet across. These were obviously
constructed for gatherings or ceremonial use. In most cases
today the remains of these huts consist only of the base
stones and, occasionally, fire pits or timber holes. Upland
communities moved to lower valleys from Iron Age times onwards
and since then the ancient settlements have been left relatively
undisturbed.
We have always gathered deep inspiration from walking among
the whispered memories of these ancient homes. The echoes
of ancestor voices have called far into the music and songs
we have created; a trail of ancestor footprints has led
into the paintings and sculptures on which we have worked.
It felt to us a very natural next step to build a house
by which to honour the ancestor spirit of this land. It
was never our intention to create a historical reconstruction,
architecturally faithful in every detail. Rather we wanted
to make something that caught the spirit of these dwellings,
that was born from the bones of this land, and that served
to remind us all that we walk in ancient footsteps and that
ancient songs flow through our veins.
We began to dig in early spring 2001. The
structure was sited so that the door would open eastwards
to the rising sun and moon, and away from the prevailing
winds that roar down from the northern plateau of the moor.
Early excavations revealed a vast unmovable granite block,
around which we re-sited the hut so that the rock now runs
both inside and outside of the back wall. We also found
pieces of worked flint, deeply buried and last touched 5000
years ago. Work to clear and level the site moved at a steady
pace and later that year, 300 people gathered with bagpipe,
flute and drum to bless the foundation stones.
We carried out the physical work of construction,
assisted at each stage by skilled local craftspeople. Work
on the first phase of the roundhouse gathered momentum in
the Autumn of 2001, with the heavy job of collecting and
sorting granite, and the building of the thick (over 3 feet
deep) dry stone wall. Earth and small stones were used to
fill the wall cavities. Granite of the right size and shape,
a surprisingly precious commodity on this granite-strewn
landscape, was begged and donated from any local hoard we
could find! Two things slowed our progress during the following
winter - the machinations of a planning authority at a loss
as to how to define us; and the quantities of rain and mud
that swamped the site! The first was overcome by sheer will
power and the overwhelming support of the local Dartmoor
community. The second was handled with buckets, a dogged
sense of humour and many a hot brew. Before the stone ring
was completed, a magnificent red deer stag visited the site,
standing in the early morning light at the centre of the
hut.
Better weather in early 2002 brought us
to the timber phase of construction. Eight Dartmoor oak
trees were raised to support the roof of the roundhouse,
with a cone created from hemlock poles pegged onto an oak
ring beam and bound with hazel cross pieces. An arch of
heavy oak formed the doorway and then it was time for the
thatching. Since no metal was used in the structure of the
roundhouse, the rye grass thatch was sewn on by a traditional
method using long wooden needles. Rye grass was chosen both
because it was an ancient crop and because its fine structure
was well suited to the shaping of the roof. It was the only
material that we were unable to source locally, being shipped
from Poland. The roof cone was tapered to a fine point leaving
smoke to filter out through the layers of grass. Within
two days of its completion, swallows moved in and built
a nest high in the apex of the cone, where they remained
all summer.
We laid a granite floor around the inside
edge of the hut, and between door and hearth, leaving the
centre of the floor as bare earth, which we stamped and
smoothed with feet and hands. A double door was woven from
willow and hazel, and large skins hung from pegs inside
the doorway. The setting of the fire pit was a significant
moment for us - the first fire, fuelled by heather and sweet
gorse wood gathered from the hills, seemed to awaken the
building, and as we sat hunched over those new flames we
could feel the roundhouse begin to….fill.
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Since
the roundhouse was completed we have met many times
around its hearth, sometimes with groups of others,
sometimes alone, sometimes with family and friends.
Again several hundred visitors came, this time to
form a river of people that flowed through the finished
roundhouse to welcome and bless its fire. Our friend
Guillermo Martinez has led a Tarascan ceremony with
people to bless and honour the traditional wooden
flutes they made with his help during that day. Gatherings
of women have created prayers and magic around the
flames. Local Dartmoor people have come, expressing
pride and delight in this manifestation of their ancient
heritage. We have had nearly 70 singing people in
the roundhouse with room for more! |
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We want to honour the indigenous
ancestor people of these lands because, by doing so,
each one of us can touch into a precious hidden place;
wander at the edges of our most ancient memories; hold
something that perhaps we lost very long ago. All the
stories and mythologies and spirit tales that we need
to make sense of our own journeys are here, in the rocks
and boulders, soil and sand, bark and leaf of our own
land, placed there by the people who for thousands of
years have trodden these paths and who drank before
us from these waters. Our own pre-Celtic heritage is
a rich mystery waiting to be uncovered. |
The filling of this ancestor house has continued.
It feels as if the roots of our roundhouse have stretched
out and spread, reaching out long tendrils through the peat
bogs and below the interlocking streams, touching and winding
around other, more ancient, roots. There they have found
something - something that has emerged from a deep ancestral
core, that has long been held within the dark damp earth
below the old hut circles on the surrounding hills. Something
is feeding through to this place. An old magic, a strange
alchemy, a shimmering possibility. Sometimes it feels very
close. Shadows thicken around the wall of this hut, fire
casts amber light upon oak pillars, mist blows across the
marshes, and we wait….
When the land is still even
shadows pause
When the moon is cast through an open door
We are calling you, we are calling you, we are calling you….
Find this place familiar, do you find this place familiar?
Now the night is opening to us, now the night is bringing,
The night is bringing you.
When a veil is spun far across the reeds
When a silence builds below the waiting trees
We are calling you, we are calling you, we are calling you…
Feel
our skin is touching, do you feel our skin is touching?
Now our bones are singing gently, now our bones remember
Our bones remember you.
When a clear flute plays beside the river's chill
When a dark drum beats upon an empty hill
We are calling you, we are calling you, we are calling you…
See our hands entwining, do you see our faces merging?
Now our souls are overlapping and this place is blessed
This place is blessed by you.
When the land is still even shadows pause
When the moon is cast through an open door
We are calling you, we are calling you, we are calling you….
(Ancestor
Song by Carolyn Hillyer from the album, Weathered Edge)
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